三影堂+3畫廊將于2019年8月29日至31日攜攝影藝術(shù)家森山大道、蜷川實(shí)花、張克純、劉珂、陳大志及段岳衡6位重量級(jí)藝術(shù)家的21件精選作品亮相2019北京當(dāng)代·藝術(shù)展！

2019北京當(dāng)代·藝術(shù)展

Beijing Contemporary Art Expo

三影堂+3畫廊

Three Shadows +3 Gallery

展位號(hào)：F09+F10

參觀信息

貴賓預(yù)覽（僅限邀請(qǐng)）

8月29日 13:00-20:00

8月30日 11:00-13:00

公眾開放日

8月30日13:00-20:00

8月31日 11:00-18:00

地址: 全國(guó)農(nóng)業(yè)展覽館

北京市朝陽(yáng)區(qū)東三環(huán)北路16號(hào)

藝術(shù)家 | Artists

森山大道、蜷川實(shí)花

段岳衡、張克純、陳大志、劉珂

+藝術(shù)家介紹+

森山大道

Daido Moriyama

《東京色彩》 Tokyo Color

Lamda Print 拍攝于2008，制作于2017

森山大道，1938年出生于大阪，日本攝影師，與石內(nèi)都、荒木經(jīng)惟等人同時(shí)崛起于20世紀(jì)60、70年代，曾是日本傳奇性先鋒攝影團(tuán)體“挑釁”（PROVOKE）的旗手人物，現(xiàn)已是獲得世界性承認(rèn)的重要攝影家，并以其風(fēng)格凌厲的黑白攝影著稱于世。

“我是一條游走在街巷的野狗?！边@不是自嘲，是一位世界級(jí)攝影大師的自我隱喻。他像一只野犬，游蕩在日本各個(gè)城市，拍下了東瀛眾生相。黑白、顆粒、失焦，傾斜、晃動(dòng)，種種被認(rèn)為是“廢片”的作品一直備受爭(zhēng)議，卻構(gòu)成了森山大道極具個(gè)人風(fēng)格的攝影美學(xué)，也代表著他對(duì)那些刻意取景或后期修飾的“傳統(tǒng)攝影美學(xué)”的反叛，此次，三影堂+3畫廊特別展出了他的代表作品《犬》，《eros》等。

蜷川實(shí)花

Ninagawa Mika

《Noir》蜷川實(shí)花

22.3x33.7cm，彩色合劑沖印，2010

蜷川實(shí)花，1972年出生于日本。是當(dāng)代日本炙手可熱的一線女藝術(shù)家，與村上隆、奈良美智齊名。她用自己獨(dú)有的視角，將鏡頭對(duì)準(zhǔn)植物、金魚、少女和風(fēng)景。高飽和、高對(duì)比度的色彩讓她的作品充滿強(qiáng)烈的視覺(jué)沖擊和致命的吸引力——濃烈卻又讓人移不開視線，讓觀者感受到夢(mèng)幻和華麗的同時(shí)，也體會(huì)到那種極致的美所包含的頹廢與虛空。

段岳衡

Duan Yueheng

《黃山》，2014

76x76cm，收藏級(jí)藝術(shù)微噴

段岳衡作為國(guó)內(nèi)風(fēng)光攝影界的標(biāo)志性人物，1951年出生的他在近30歲時(shí)才正式開始攝影創(chuàng)作，60歲出版第一本畫冊(cè)《黑白世界》，并在美國(guó)芝加哥獲得了世界印刷業(yè)最權(quán)威的班尼金獎(jiǎng)。他的作品多以黑白為主，影調(diào)純凈，充盈著空靈之感，并用精湛的技術(shù)和天賦般的藝術(shù)直覺(jué)為讀者剝離了現(xiàn)實(shí)景象的繁復(fù)，讓觀者走進(jìn)段岳衡的黑白視界。

張克純

Zhang Kechun

《售河沙者》，2017

55x105x3cm（外框尺寸），收藏級(jí)藝術(shù)微噴

張克純以其后工業(yè)化中國(guó)風(fēng)景的大畫幅作品為人所熟知。他創(chuàng)造了史詩(shī)般的遠(yuǎn)景，講述了現(xiàn)代中國(guó)民族認(rèn)同中景觀的意義。他認(rèn)為，一直以來(lái)山水都是中國(guó)人情思中最為厚重的載體。游山玩水的大陸文化意識(shí)，以山為德、水為性的內(nèi)在修為意識(shí)，咫尺天涯的視錯(cuò)覺(jué)意識(shí)，一直成為演繹山水的主線。在他的最新作品中國(guó)系列中，他在以中國(guó)山水來(lái)展現(xiàn)中國(guó)民族景觀的基礎(chǔ)上，加入了更多的中國(guó)社會(huì)元素，以進(jìn)行他攝影創(chuàng)作上新的嘗試。

陳大志

Chen Dazhi

《尋覓4》，56x100cm

膠片，深灰鐵框，efiGS2000 UV噴涂

陳大志，1966年出生于山東榮成，其獨(dú)創(chuàng)的“反向區(qū)域曝光法”（Linear System）把中國(guó)水墨的筆法、墨法呈現(xiàn)于攝影技術(shù)中，從而在攝影作品中體現(xiàn)出具中國(guó)文化氣息的視覺(jué)效果，把自郎靜山一脈而起的中國(guó)畫意攝影推向一個(gè)新的高度，并榮膺第11屆中國(guó)攝影金像獎(jiǎng)（藝術(shù)創(chuàng)作類）。但他沒(méi)有停留在畫面效果和攝影技法上，而是充分利用這個(gè)創(chuàng)新技法積極探索擴(kuò)展到各種題材，運(yùn)用其具有強(qiáng)烈個(gè)人風(fēng)格的攝影語(yǔ)言在自然風(fēng)光、人類社會(huì)和精神世界中尋找攝影作為精神媒介的可能性。

劉珂

Liu Ke

《龍船》，50×50 cm（畫面）

收藏級(jí)藝術(shù)微噴，2008

劉珂，1977年出生于四川成都，2017年與晃晃共同創(chuàng)作的作品『鏡子』榮獲第十一屆三影堂攝影獎(jiǎng)大獎(jiǎng)。荷蘭阿姆斯特丹FOAM攝影博物館副館長(zhǎng)馬塞爾·菲爾評(píng)價(jià)道，“兩位藝術(shù)家作為各自獨(dú)立的個(gè)體一起生活，一起創(chuàng)作，某種意義上也反應(yīng)了攝影的本質(zhì)——觀看的方式，一種觀看與被觀看的關(guān)系，像兩個(gè)人之間的視覺(jué)對(duì)話。他們的作品簡(jiǎn)潔真誠(chéng)，呈現(xiàn)方式巧妙且充滿智慧?！?/p>

本次北京當(dāng)代藝術(shù)展，三影堂+3畫廊除了攜帶重量級(jí)藝術(shù)家的作品之外，還將推出眾多經(jīng)典自出版攝影畫冊(cè)，部分珍藏版含有原作，及新鮮出爐的國(guó)內(nèi)外高品質(zhì)頂尖攝影畫冊(cè)等，一定不要錯(cuò)過(guò)～

+自出版精選+

《十方：三影堂攝影獎(jiǎng)十周年特展》限量珍藏版

1本展覽畫冊(cè)

37張收藏級(jí)原作

1份收藏證書，特制書盒

作品尺寸: 347×277mm，限量：40

《榮榮的東村 1993-1998》特別限量版 布盒

1本《榮榮的東村 1993-1998》畫冊(cè)

40張印刷作品，限量：800套

作品尺寸: 34×47×10cm

《妻有物語(yǔ)》榮榮&映里攝影作品集《新攝影十年》

4本《新攝影》雜志畫冊(cè)

1本訪談資料，特制書盒

書盒尺寸: 420×305mm×55mm

限量：600

+國(guó)內(nèi)外畫冊(cè)精選+

《感傷之旅》荒木經(jīng)惟

鉑金書/書籍240x178mm

作品尺寸229x152mm/藝術(shù)家簽名/限量100

《Provoke Generation Rebels in a Turbulent Time》豪華限量版

套盒大小 ：28.1 x 23.4 x 9.4 cm

紙張大小 ：20.3 x 25.5 cm

2張彩色及76張黑白珂羅版作品附簽名

限量：75版

張克純《北流活活》ILFORD合作珍藏版

每套包含20張《北流活活》作品

藝術(shù)家證書簽名/限量40

盧彥鵬 + 饒凌華《石頭的記憶》 限量珍藏版

特制亞克力盒，作品11張.

限量發(fā)行30套

曾敏雄 《無(wú)藏 曾敏雄藏傳文物攝影集》 典藏版

1本精裝版攝影集

1張A4尺寸數(shù)位藝術(shù)微噴原版作品

典藏錦盒及證書

藏版作品可三選一:準(zhǔn)堤菩薩 / 文成公主官帽 / 小龍女

Three Shadows +3 Gallery will present 21 different works by the likes of Daido Moriyama , Ninagawa Mika , Zhang Kechun, Liu Ke, Chen Dazhi and Duan Yueheng at the Beijing Contemporary Art Exhibition (BEIJING CONTEMPORARY) from 29 to 31 August, 2019.

Beijing Contemporary Art Expo

Three Shadows +3 Gallery

Stand：F09+F10

VIP PREVIEW

Aug.29 (Thur.) 13:00-20:00

Aug.30 (Fri.) 11:00-13:00

PUBLIC DAYS

Aug.30 (Fri.) 13:00-20:00

Aug.31(Sat.) 11:00-18:00

Address:China Agricultural Exhibition Center

No.16 Dongsanhuan North Road, Chaoyang District, Beijing

Artists (Alphabetically):

Chen Dazhi, Daido Moriyama, Duan Yueheng, Liu Ke, Ninagawa Mika, Zhang Kechun

+Artist Info+

Chen Dazhi

Outside the Concretization 14

40 × 60 cm (picture) Rice Paper (Mounted Manually)

Solid Wood Frame, Epson Art Micro-Spray 2018

Chen Dazhi, born in Rongcheng, Shandong province in 1966, integrates Chinese ink brushwork with photography through his original "Linear System,” thereby reflecting the visual effect of traditional Chinese culture in photographic works and pushing forward a trend of Chinese “photographic painting” that begins with Lang Jingshan.

Chen is not content to focus on pure technique, instead making use of his innovations to explore various subjects such as nature, human society, and photography’s relationship with the spirit world. He won the 11th China Photography Gold Award (Art Creation category).

Daido Moriyama

Dog, Gelatin silver print

60 × 80 cm (outer frame) photographed in 1971, Produced in 2015

Daido Moriyama is a Japanese photographer who was born in Osaka in 1938. He rose to prominence in the 1960s and 1970s alongside Miyako Ishiuchi and Araki Nobuyoshi, the three of them acting as the flagship figures of the pioneering photography group PROVOKE. They are now recognized as important photographers worldwide and are known for their stylistically fierce black-and-white images.

"I'm a stray dog roaming the streets," Moriyama has said. This is not self-mockery, but a potent metaphor for the world-class photographer. Like a stray dog, he has wandered around various cities in Japan for decades and taken photos of Japanese people. Black-and-white, granular, out-of-focus, wildly tilted – his images are controversial, constituting a immensely personal approach to the aesthetics of photography and a rebellion against deliberate framing and the classical mold of photographic beauty. Three Shadows Plus 3 Gallery offers a selection of representative works like Dog, Eros and several more.

Duan Yueheng

Huangshan, 2014

76×76cm, Archival pigment print

Duan Yueheng was born in 1951 and remains a landmark figure in the genre of Chinese landscape photography. He began taking photographs at the age of 30, and did not publish his first book, Black and White World, until the age of 60, subsequently winning the Bannekin Printing Prize in Chicago, USA. His works are mostly black-and-white, using their pure, exquisite sense of tonality to bring the viewer inside Duan Yueheng’s black-and-white vision.

Liu Ke

Dragon Boat, 2008

50 × 50 cm (Picture), Collection Art Micro-Spray

Liu Ke, born in Chengdu, Sichuan Province in 1977, studied fine arts with his family from an early age, and Huanghuang learned dance from an early age. Both of them currently live in Chengdu. Since 2017, they have been building the work "Mirror," which won the 11th Three Shadows Photography Award. Marcel Phil, deputy curator of the FOAM Photography Museum in Amsterdam, Netherlands, commented: “These artists live together and create together as separate individuals, which reflects the very nature of photography – the relationship between watching and being watched, the visual dialogue that emerges between two people. Their works are concise, sincere, ingenious, and full of wisdom."

Ninagawa Mika

Noir, 2010

22.3×33.7cm Development and Printing of Colour Mixture

Born in Japan in 1972, Ninagawa Mika is one of the most popular contemporary female artists in Japan alongside Murakami Takashi and Nara Yoshitomo. She trains her own unique view largely on plants, goldfish, girls and landscapes, making a fresh, immediate visual impact thanks to her poignant sense of fantasy and creative use of high saturation and contrast. Her work suggests that decadence and emptiness coexistence within ultimate beauty.

Zhang Kechun

Seller of River Sand, 2017

55 ×105×3 cm (Outer Frame Size)

Collection Art Micro Spray

Zhang Kechun is well known for his large-scale photographs of the effects of industrialization on the Chinese landscape. He creates epic visions that narrate the significance of the earth in the identity of modern China. He believes mountains and rivers have always been the strongest embodiment of human feelings in China, looming large in the cultural consciousness, and places them in dialogue with contemporary Chinese society His latest series have continued to develop an even sharper focus on changes within contemporary China.

        

三影堂+3畫廊作為三影堂攝影藝術(shù)中心旗下的獨(dú)立運(yùn)營(yíng)空間，自2012年成立至今，舉辦多場(chǎng)受歡迎展覽，先后展出了原久路、莫毅、任航、榮榮&映里、張克純、蔡?hào)|東、荒木經(jīng)惟、森山大道、駱伯年、邵文歡、秋麥、李俊等眾多國(guó)內(nèi)外知名藝術(shù)家的優(yōu)秀作品。

當(dāng)代的藝術(shù)環(huán)境中，優(yōu)秀的藝術(shù)作品需要一個(gè)良好的平臺(tái)來(lái)促進(jìn)推廣和傳播。+3畫廊以推介中國(guó)最具代表性、最具成長(zhǎng)性的攝影藝術(shù)家及其作品為首要目標(biāo)，同時(shí)有計(jì)劃地推介國(guó)外重要攝影藝術(shù)家及其作品，通過(guò)與國(guó)內(nèi)外優(yōu)秀藝術(shù)家、藝術(shù)機(jī)構(gòu)、畫廊和頂尖博覽會(huì)合作，促進(jìn)攝影藝術(shù)在本土的傳播與發(fā)展，增強(qiáng)中國(guó)攝影在世界其它地域的呈現(xiàn)。

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